FROM THE UNDERGROUND UP: JUNE GOES BOOM AT THE CAVERN WITH LOCAL INDIE LEGENDS 3 DAYS OF WONDER, THE KABINS, AND HAYTOR

First up were 3 Days of Wonder, a band that’s grown in confidence and charisma since we last saw them at the Devon Music Awards. Fresh from a powerful set at Exeter Respect Festival, the band returned to the stage for a second helping of the month.

These South Devon rockers craft edgy, hook-laden anthems with a nod to the 80s. Their songs often pack a punch of social commentary, adding depth to their powerful performances.

Last night, frontman Luke set the tone by introducing the band as “trying to bring back Rock!” And that they did. These guys tick every box for a band that lives and breathes their craft.

Their on-stage chemistry was undeniable, with every move and smile synchronised and a talent in togetherness, bopping in sync with the beats and the bass.

“Younger Days,” with its Police-inspired guitar riff, drew the crowd closer to the stage, one fan exclaiming, “This is a banger!” In agreement were the merch wearers at the front, singing along to every lyric and moving to every beat of the drummer.

“No Vacancies,” a song about the daily grind and finding meaning beyond the 9-to-5, struck a chord with us. As a Tuesday night gig-goer, it felt like an anthem for the midweek music warrior.

Then came a showstopper: a punked-up cover of Mumford and Sons’ “Little Lion Man” that really got me. A somewhat sceptic when bands cover tracks that have already been genuinely mastered, so much so that it’s difficult to replicate. But apparently, I now prefer the fast, loud, punk-rock and unapologetically brilliant version. Yep, I said it.

A post-Perranporth recording studio announcement was followed by a new coastal-inspired track, with its guitar lines transporting us to the beach. I didn’t catch the name of this one, but it’s set to be another “banger.”

And just when we thought it was over, the band asked for “one more song?” The crowd answered for them. “Smile in the Daylight” closed the set with smiles in the stage light – a fantastic ending to a phenomenal set.

Next up, The Kabins took the stage like seasoned pros. Indie rockers from Devon, they blend classic Britpop with contemporary indie and alternative rock.

These fantastic five brought their bold and catchy sound to life. Britpop and shoegaze influences collided with contemporary indie rock, giving their performance that had the crowd’s heads nodding and feet moving. A band-induced bond, evident in every riff and rhythm, reminding everyone why they’re a must-see on the local scene.

Frontman Todd, looking every bit the rockstar in his shades, kicked things off with “Warm Up (Stay for a While)”. It’s no coincidence that the track name had the crowd warmed up and moving, ready to stay a while.

By this point, the Cavern was heaving; if you didn’t have your spot, you were at the sides.

The second track, “an oldie but a goldie,” had Kabins fans visibly relieved, that “I hope they play The Final Show moment.”

Todd shared that the band had been recording in Plymouth, treating us to exclusive new tracks.

“You Better Run” was notably fast and high-energy, with Todd quipping, “It wasn’t that fast on the recording!” And just when I thought they might slow it down with “The Whisper,” they powered through.

“Penelope” was a personal highlight — its heavy mid-song instrumental was the PINNACLE OF COOL. I don’t know who Penelope is, but I want to meet her.

After the show, chatting with bassist Freddie was a treat. He mentioned the band’s upcoming spot at Beautiful Days – a dream come true for him after attending since childhood.

Another fantastic, high-energy performance from The Kabins, and we can’t wait for more.

Headlining the night were Exeter’s own Haytor, and what a way to top off the evening. If Sam Fender was a killer indie-rock band, this would be it. They opened with “Feel It Coming,” the crowd singing every word, and it only got better from there. “Love Songs” was another crowd-pleaser, building that intimate, energetic connection that makes small venue gigs so special.

Sporting matching bowling club shirts with their names on them (not done enough!), the band looked the part and felt even more connected. That little personal touch — knowing their names – I’m sure deepens the bond between band and crowd.

Their set closed with two of their newest tracks: “Be Somebody” and “Osaka.” “Be Somebody” saw Austin lay it all out, his punchy vocals riding the line between desperation and defiance — a big, anthemic shout for anyone tired of pretending they’ve got it all figured out. 

“Osaka” burst with fluorescence, bringing vivid imagery and anthemic choruses that had the crowd locked in.

An encore of “All We’ll Ever Be,” which I remember well from the Devon Music Awards (and my partner loved so much that he Shazammed it), ended the night on a high note.

Haytor’s reputation is well-earned. There is no one Hayting on Haytor. They’re consistently praised for their charismatic stage presence, introspective lyrics and anthemic choruses.

It’s the lyrics for me that add depth to their already memorable live shows, creating an experience that fans won’t forget.